Description: --> Four Centuries of the world's finest artists from our collection to yours --> Thank you for visiting... Click here for HOT DEALS | Click here for our NO RESERVE AUCTIONS Please feel free to ask any questions you might have about this work and we will answer promptly.International bidders are always welcome to bid and we combine shipping on all orders. --> Artist: Henry Perronet Briggs RA (English, 1793 – 1844) Title: Romeo and Juliet - Act II Scene 5 (‘Juliet and her Nurse’) Medium: Antique steel engraving on wove paper after the original oil paint on canvas by master engraver Samuel Sangster (British, 1804?–1872). Year: 1852 Signature: Signed in the plate.Condition: ExcellentDimensions: Image Size 7 5/8 x 9 7/8 inches. Framed dimensions: Approximately 17 x 19 inches. Framing: This piece has been professionally matted and framed using all new materials. Additional notes: This is not a modern print. This engraving is more than 165 years old. The strike is crisp and the lines are sharp. The original painting is part of the Tate Collection. Extra Information: Juliet standing at right, her hands clasped in pleading with her nurse who leans on a walking stick and looks at the girl with pursed lips and suspicious eyes, a tree at left casting a show across her face, and attendant behind holding her skirts and fanning her. Briggs was one of a small group of British artists in the first half of the nineteenth century who consistently found success as history painters. This painting illustrates part of Act II Scene IV from Shakespeare's Romeo and Juliet. The lovers have previously agreed upon a secret marriage. Here the Nurse tells the overjoyed Juliet that she is to be married that night and then comments on her blushes ('Now comes the wanton blood up in your cheeks'). Juliet and her Nurse was a popular subject with British artists including JMW Turner. Artist Biography:Henry Perronet Briggs RA was an English painter of portraits and historical scenes. Briggs was born at Walworth, County Durham, the son of a post office official. His cousin was Amelia Opie, the wife of artist John Opie. While still at school at Epping he sent two engravings to the Gentleman's Magazine and in 1811 entered as a student at the Royal Academy, London, where he began to exhibit in 1814. From that time onwards until his death he was a constant exhibitor at the annual exhibitions of the Academy, as well as the British Institution, his paintings being for the most part historical in subject. After his election as a Royal Academician (RA) in 1832 he devoted his attention almost exclusively to portraiture. Briggs died, of tuberculosis in London on 18 January 1844. The lease to his home in Bruton Street, Berkeley Square was subsequently purchased by portrait painter Thomas Henry Illidge. Jacob Bell, founder of the Pharmaceutical Society, was a cousin of Briggs, and took painting lessons from the artist as a child. Bell commissioned several art-works and it was his connections that enabled Briggs to paint the portraits of pharmacist John Bell, and William Allen, the Society's first President. Briggs also designed the society's membership certificate. Thomas Francis Dicksee was a notable pupil of Briggs.Two of Briggs' historical pictures, first exhibited at the Academy in 1826 and 1827, are now in Tate Britain, London – First Conference between the Spaniards and Peruvians, 1531, and Juliet and her Nurse. His large painting of George III presenting the Sword to Lord Howe on board the Queen Charlotte, 1794, was initially purchased by the British Institution, presented to Greenwich Hospital, and is now in the National Maritime Museum. Among the more successful of the various Shakespearean scenes painted by him may be mentioned his Othello relating his adventures to Desdemona. Of his numerous portraits, the best perhaps was that of Lord Eldon. He also made the portrait of the Indian leader Raja Ram Mohan Roy. Accompanied by a Certificate of Authenticity and is Fully Guaranteed to be Certified as Described Framing Any framing included in a listing is double matted and framed in a solid wood moulding. We can also frame any pieces not listed as such. Please contact us for pricing. We are usually half the price of a regular framer. Shipping Packages are shipped the next business day after confirmed payment is received. If you are making multiple purchases, please request an invoice so that we may combine shipping charges for you. Guarantee We guarantee all our listings to be 100% as described Returns Returns are accepted up to fourteen days after receiving your purchase. Buyer accepts responsibility for any additional shipping charges. | Click here for HOT DEALS | Click here for our NO RESERVE AUCTIONS |
Price: 144.5 USD
Location: Cape Coral, Florida
End Time: 2024-09-15T03:20:15.000Z
Shipping Cost: N/A USD
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Item Specifics
Return shipping will be paid by: Seller
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money back or replacement (buyer's choice)
Production Technique: Engraving
Material: Engraving
Type: Print
Features: Framed, Matted, Signed
Subject: Theater
Framed/Unframed: Matted & Framed
Signed: Signed
Listed By: Dealer or Reseller
Size Type/Largest Dimension: Medium (Up to 30in.)
Date of Creation: 1800-1899
Print Type: Engraving